poems from Long Secrets in Air
Ryan Skrabalak
Darnkess
for Cameron Scott
Glaucous & purely obtained from the river
John Coltrane’s on a languorous metal
this line moves pretty fast, actually
the river does not depend on you
concerned with obtusity, greened pulse
along thought hewn from a gone place
it's all departure, it's a certain thinness
behind the ontological sum of plastics
so even nothing named to be caress
applause for climax, a secret method
fleshy underside of rosed, murky blare
the sentences are here and working
spun and chewing on meadow tempo
denomination stipulates back of mind
famously or unseasonably cold, a Pontiac
presents an un-upheaval as brassy theory
among the keyless blathers, hot mouths
I liked it there, everyone’s insides, rather
a measure of acuteness than spacial
threat on chatter, a small mention humming
wide, pressing matters, psalmic heckler’s
leaky stripes on the derivative pale emission
I liked it here, and sometimes men's chords
go east for sake of translation's sane looting
Median
Pewter jawline explode white toodleoo surrogate
Bandits explain a duo of wet deer monologues
hovering in sunken pumpkin grove, the meandered firewall
Millenium Hilton contempo painted swoosh-of-heaven
Stating erect as the ballistic linens of the sun roll
Not taken by anything's empty miscellaneous kiosk
It’s a gone place, frothy peppermint oil to dream
an algorithm of glowing music booked for a room
In my time of writing I was loving shapes of a shadow
the intermezzo was grafted to a candle outside
voices in debt and too broke to matter
which gave me a certain freedom tethered to a chorus
Congregational humiliation encumbered typical mists
quite indigo on my concern from the side of the road:
I don’t know, maybe constant absence or
I had done it all wrong, someday it will be good
again, demand this of ourselves
And Boy if I Get Drunk I Get
For Pete’s sake I’m telling the music no
words hide the world like something else
the music is like a photograph of vapor
bronchial, but chiefly granted frontier
embroidered, but permission for hot riffs
doubtless, but curled on pyrite lips
to integrate myself into the creek's braids
in the separate distances came the heard
with space it was given cavern essence
its red and sort of stylish silken flume
all the gloss brightened syllable filters
a figure in doorjamb thick chalcedony
autodidactic repression’s sung frisson
In all things you saw the invisible vitreous
waxy opaque superstructure of capital
celestial, but not without glib reason
rolling breath farewell to blown increase
it’s a twitchy, impossible template
of which no one really needs to shape
stepping in to it this time, froze prisms
rubbing stinky crystals in Effingham, IL
as an act of god, Ryan, believe this to be
truckers gliding along the dawny cumbucket
median daisies swaying along Olde English
vanilla shadows, tonally, a crucifix, an RV
I'm so ashamed of issuing myself plainly—
Saxtons River
But it doesn’t matter saying what through
In memoriam stun a sun blue gun shown
the bell’s hushed lash of power in heat
My chinos rolled tight, mid-crick
turning bolted schist over, that I loved
each one come loose and cloud
The microerotics of each underside
's discovery felt almost bad, then
darker, diligently scraping a belt of sky's
the mud with no windows, this guilt
or this why are the words, arriving late
now ever, my knuckles graze the afternoon
upon the pain of its briars, which cover
the wall I am building when I turn down
stream, miss, please can you point me
where a song has bent hours
into the moon’s pregnant diphthong
Mouthy Attempt
Everything has been thought of before but
The difficulty is to think of it again
This scale of thinking is a certain nightmare
down which the glass sprinting hallway I parallel
That this is what the light holds in tense grip
That when I arrive at the light's end I am house-poor
That the air this time, here, is see-thru
But I can hold its hand plainly, and begin to modify
my thoughts, issued from a thick, expired rainbow
So deep into the groove perhaps I might have been
born in it, of its dandy watermelon dominion
and anyways I hate metaphor, that bastard
But I'm dancing to find myself a new body
Felt the asymmetry of its poetry tear me out
Cover mine own heart with a tumid map violetly
spangled with small gnomic words that shrieked
violently “Good morning!” A small hook yanked me
smooth, painless, like a chord, by the navel
to a pink murmur, which was everyone's future
A crocus, too, to send us good news, finally
Exhaling the DMT on Neill's back porch
in Trumansburg, seconds elapsed gothic
I kissed time on the lips but actually, it was Adam
What is happening and how have you been
Maybe the people would be the times or between
Rhinestone Salve
I would like to leave the arena continuously:
whistled & listening to the world’s fizzy spittle
A rumor yourself reminiscent of y/our viscera
The field off to lunch or possibly self-destructing
Passport blue shrubs whizz ochre aire crickets
and my eyes can’t discern stars commuting
fantastic cream in pockets of dirty zloty
Plums of occult bodega arrangements:
August's oblong corvids magnetize
an occidental suitcase or callow apology
used as law for art exploring our “home” “land”
Long living the gerund and kaleidoscopic passerine
memories of chromatic communisms of gerunds, too
The future's payroll o gavage o silvery drag
Thighs margin the starlit heart of the carpark:
at the denouement of the calcified zenith
fortune's long tongue harvests orgasm
Lithic Analysis
Here’s a golden rule I just thought of.
Metaphors’ve been occurring here, SAY,
prisms hung from his glans,
calves yawned in the sunflake's
who is this house even for
Or that this empire whittled me
to PROD the mystery
Jasper, pink on one half,
naked, with my friends
around a store-bought lake
in the midden's weird shadow
I’ve been doing okay despite
everything I’ve been doing
okay despite everything
I’ve been doing a little
black rock smoldering
lemon between my pupils
Despite it all being cake,
well, my JOB, knapped from
expanses of cash-only sky
I've come to prove my swelling
as a shirt is, SAY, inevitable
a pressed collar's dead labor
to write around A VILLAGE
Pockets of bicentennial quarters
proof of my human verb
the SHINE of this empire’s train
today’s attempt to organize
an surplus of friction
Living A Woo Pig Lifestyle
in a small fairy circle just past
a pilgrim of mutter, SAY, knees
bloodied with debitage then
washed in the soft digital surf
I mean, a froth of protozoa sings
among the wilting spangled ore,
hippies dry-whistling Donovan
hot gloom and its present canopy
They can't see us in here—
Didn't sell anything today—
To make it, barely, a happiness—