from Glam*our
Jamie Townsend
So, safe
Or save
Loo came in
A neat little package
So cute they
Said so cute
Shrugged and
Dug a toe
Into the blanket
Slowly digging
Their own grave
We lie in bed
Bereft of nothing
Read Safe or save
At the inadequate
Daydream at the pink
Bruce assumed
Was flat
Symbolic, so cute
And gay, so happy
Read Safe
Where the moon ‘s
Cold and decrepit
Face licks the inside
Of Loo’s thumb
And a wet finger
Print darkens the page
Wonder at this
Transmission
Feel saved
Beneath a
Decorative parasol
Janky skeleton
Ragged pink tissue
Their romantic dream
Of safety
Held sleep away
Predicting ruin
Whispering
Sweet nothings
Up against the sheet
‘Save me’
Soft consonants
And sibilance
Trickle out
To lay across
The hair on their arms
End to end
So close
They’re almost fucking
Lost and safe, saved
Wake up feeling
Opened the residual
Dilation
What as who
Recants Loo can’t be
Bothered by this
Thin mucus
Clinging slip
Eyes downcast
Playing with themselves
The story lost
In detail
Little red
Riding hood
By air as blood
Rushes
To the surface
Tease
Recoil
High on glaze
First blush saved
And wet, touchable
Yielding a very
Dangerous moment
Excited blood
Rubbing against
Excited skin
Knife wife
Fruity void
A portal ‘s
Bubble floating in
A tear without
The allure you know
Austere
Safe and silent
The letter
S at the end
of the dreamer ‘s
Eden
The discarded skin
Of it ‘s
Dreams like
Arcadia and waking
In the mezzanine
Of the Top
Shop
Safe or saved against
The smoothness
Of mannequin flesh
The most dangerous
Thing Loo could do
Is abstract it all
An atmosphere disrupted
An unrepentant
Shower
Of meteorites
A legion of fallen angels
Or failed men who dream
Wrestle with god
Mouth to
Mouth to be safe
Young
And troubled
Beneath a silent sky
Loo trained to resuscitate
A doll
A new doll each year
Learned
Their heart can’t take
Too much
Pressure
Loo learned to reject
The world ending
At the tips
Of their fingers
*
This problematic
Pattern repeating
Not just fantasy.
Loo reads Joon ‘s swooning objectivism, the sensation written out as milk stains on a white tee. They dissociate. Take a walk and slip into their own pregnant reverie, in front of racks of faded band merch at Mercy Vintage. It gets them out of the house, fleshes out the imperfect goodwill they imagine. Garish and obscene. Glamorously threadbare. Almost miraculous.
At minimum, Loo felt like a dizzy Adam naming their way into some extreme measure of self-fixation, obsessed and obsessive rumination toward minding their own business vs. minding their own pleasure, a private heaven or public hell expanding in exponential dimensions. At max, overwhelming obsession, squeezing everything into a horizon line. The thought Loo writ large as a folding in not stretching toward. Sex that makes an ass of them. An emaciated face or ghost of personality draining toward the shaky drain ‘s point of no return. A limp corpse wrist arching up through grating. Pose becoming cramp becoming camp becoming something chronic, rhetorical. They weren’t praying for this.
Loo conjures Aaron’s rod that budded. Aaron’s poem in The Paradise of Forms. The dress likes the way he looks, hairy. They wanted to have a manifesto to blow it up, as so little made sense in a time when competing spiritual forces struggled to pull any apart feeble agreement. The ring rolls out of reach no matter how much they stretch to grab at it. Sell the outerwear when the work dries up. Their stubborn multiplicity, an innate fuck you to a pervasive loneliness imposed as though every day they must get out into the world, face a grave, dead broke, east west, damning orientation. Yes. There were too many complications. Loo worried about the repetition of their movements, the choreography of their not yet communal body on the page creating a rough line for measurement. Loo worried too about their height and weight as well, someone called it ‘stature’ which left them cold as marble. As though the pressing thought of physical necessity left a lasting impression. No. An ever-increasing push towards order but this ran against their rangy opulence. Loo imagined the end of power as a chain of supplication cracked or dragged from around their neck. Link by link together the weakest collapsing.
With a handful of brass rings, their or this hand a rams head, a claw, a ram in profile, a Cleopatra snake charm winding up to strike any softness or warmth of flesh. A tiny glass eye. The pendulum of a snowflake pendant. Scattered indications of movement outwards. Each object of reference, a reliquary, a talisman, a psychic tool, A fire sign, a fire floating above the perpetual watery sensation, the feeling, a lack inside the water and so Loo became an anthem in perpetual wonder of the distinction. Glamorous, the we that together made a choice, was given split-second choices to make. Loo wanted a them or they, an us in some mindless repetition. To be awed again. Language for what they didn’t yet understand. Anyways, Loo didn’t want to be confused. They wanted to sing.
Punch a ghost…
A dress only becomes a dress by being worn
Or the specters of Anger ‘s puce moment, obscene luxury just danced off the rack. Loo counts: A sheet a shift a skirt a ghost, styles of unfolding in the machinery of their vision.
Belief is what Loo falls into from the periphery. The shadow of a god insisting the writing is the wall the body is an outline on the floor. The slight heft of paper chains or this history of royalty. Neither nor. Loo believed naively that passionate fire would materialize to burn it all away and beneath would be a glowing residue of wholeness. An unbroken circle beneath the church. Inside curves and smooth wet. They felt this as something approaching completion, tearing each layer away. This less specific and quiet insistence of a sensual momentum forward made it even moreso. Loo watched it all through a specific lens, watching Legion, a show of superpowers where the hero is labeled mentally unwell – is sick with a multiplicity – in a world unwell in its insistence on those without these specific queer powers, filled with synthetic cloth and mid-centeery modern furnishings. The hero ‘s obsession moves throughout the scene, touching each stupefied spirit, kissing her or him as they switch bodies. They, remaking what it means to inhabit such a world, to slosh against the viscera. Dumb and newly born. On the floor of Wolfman Books during the reading Loo listens to their friend transforming into pure description at the same time not listening they pull off the gel polish from their middle finger complete in one piece and stick it behind the shelf of poetry, saving it to chance upon later.
*
Eyes soaked in milk, shapes buoyed through taste. A holographic makeup stick marks the limits of Loo’s field of vision. Cheeks blushed. Streaked with a shade called supernova for an understanding of what they thought they saw before the lights went out. Believing the flash was enough to make a distinction. No. Not totally. Not in fact at all. But a vagueness. Awesome, overwhelming ambiguity. Yes.
*
Our love dissolves
The sheerest tulle
Into a scatter of applique
Sequins into female trouble
Posthumous Birkin bangs
Nipples like meringue
Hannah Wilke is still
Suffering for glamor
Vanity Fair spread
In the shadow
Of a useless giant spoon
Industrial fuckwand
Set to maximum
Obliteration
Horror and beauty ‘s
Trash offered up
To the better demons
Of our nature
*
The moon is sending
Psychedelic invocations
Through the pastel pink
Orgone pyramid
In the sunroom
Loo reads the feeling as
Eve Babitz on the longest
Walk of shame
From the homes of dead
-eyed Orange County
Suburbanites worshiping in
The Hereditary loft
Of Ann Taylor
A cloud of sage
Cloth swirling
Across the windshield
As she powders her nose
From a compact
Of beige accelerant
Dancing on a dash
Blasting Dumb Blonde
Dolly ‘s New Narrative
Bittersweet fantasy
Transforming a scarf
Into a noose
Into a guillotine
An open hand
An ashtray
As Frank once admitted
Loo misses their sisters
And reads a treatise on stars
As metaphor
Reverie and warning
Don’t be mislead
By glamor from heaven
As it bursts
Against yr throat
In the wind
When Loo finally laid out
In the bright light
After the year from hell
And read what
Brenda wrote
Satan isn’t sitting
In some bunker
And
fuck that
In wet hot turquoise
In a poem to Ivy
That felt like a fortune
Wrapped in a warning
Wrapped in magenta
The color of our conversations
With the dead